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L'Eurovision (Te Deum)
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Te Deum (Prélude)
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Prelude to Te Deum, H. 146
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Marche en rondeau
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Psalmus Davidis 87us (H. 207) Domine Deus salutis meae
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Marc-Antoine Charpentier
Marc-Antoine Charpentier was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his Te Deum H.146, Marche en rondeau. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network and the European Broadcasting Union.
Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries.
He began his career by going to Italy, where he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music in the service of the Duchess of Guise. From 1690 Charpentier composed Médée, on a piece by Corneille. It was a determining failure in his career of composer: he henceforth devoted himself to religious music.
From Wikipedia (https://en.wikipedia.org/wiki/Marc-Antoine_Charpentier) under Creative Commons Attribution CC-BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0/legalcode)